Christmas Haul

Life

My family KILLED IT on Christmas gifts this year. I must talk about myself a lot or something, because everyone knew just what to get me. My cousins bought me this gorgeous coffee table book on Erté and Art Deco. I’ve been speaking french all my life and am taking a class on early 20th century art movements, so this was absolutely perfect. So thoughtful! Plus, it’s full of gorgeous images and is super fun to read through.

My parents got me two books on Richard Prince which I have already been using for my research. I have been renewing them from the library over and over again because, like most art books, they’re super expensive. But now I have my very own copies that I get to keep forever! I have always been a sucker for big beautiful books. I guess that makes me kind of a nerd? Fine with it!

My sister bought me that gorgeous phone case with the swirling abstract pattern. I may have hinted earlier at how much I love Amy Sia’s products available on Society6 and she totally took the bait. It’s so pretty and I absolutely love it. The Holidays are great!

Before anyone calls me a spoiled brat, I am also pretty proud of the presents I gave my friends and loved ones this season. It’s all about showing people how much you love them and spreading the good vibes. I feel incredibly loved today. I hope everyone else out there feels the same.

Looking forward to….

Life

The last few weeks of my semester have been crazy. I’ve been non stop go-go-go-ing and fighting hard to keep up with all of my work and all of my finals. I am proud to say that I have survived and have officially made it to winter break. But, before I fly home and leave California behind, I wanted to take a moment to think about how lucky I am to be learning and growing every day. I feel so unbelievably privileged to be studying what I love and working on projects that I care about. I feel like I am contributing something important, and that knowledge has been an incredible motivator. So before I go on vacation, here’s a little list of things to look forward to next semester:

  1. My Art History thesis! I wrote the first of three chapters this semester and it has gotten me so excited about writing the rest. I am looking at the re-photography of Richard Prince and using Lacan’s and Zizek’s theories to explore how the male gaze functions in his work. I have a lot of respect and admiration for Prince’s appropriation techniques, but was shocked by how few critics were addressing this issue of possessing women’s bodies. (So please bear with me if these posts discuss Prince a disproportionate amount. It’s basically on my brain constantly. I’m sorry and you’re welcome.)
  2. I have a new job next semester doing community outreach and content creation for The Campaign For Scripps College. I am obsessed with my school so having the opportunity to help further its development is a complete dream come true. We are entering phase two of the campaign, which means a bigger push on social media and more consistent updates on the microsite. I will be helping to devise and then implement an effective strategy for this. My goal is to make all of our community as thrilled and excited as I am about Scripps’ future. This is the most ambitious campaign in the history of the school and I am so jazzed to be a part of it!
  3. I AM THAT GIRL stuff has been heating up this semester and we have a couple of incredible videos planned for the Spring. Who knew when we started this chapter a couple months ago, how successful it would be?! Love these girls and this organization!
  4. This is not set in stone yet, but I may be doing a kick ass independent study next semester. If all goes according to plan, I will be making art and organizing an exhibition in The Motley next semester. Keep it on the DL for now, but hopefully there will be much more about this later. Fingers crossed!
  5. Last but not least, I have another new job next semester as a research assistant to Professor Mark Andrejevic. He taught my Media and Surveillance class this semester and is a complete genius. I am so excited to learn more from him and to further explore a really important aspect of digital media studies. Online privacy and data collection is a very real but rarely discussed part of using the internet. Most users don’t seem to understand or care how their personal information is being used. I am super proud to be working on a research project which explores these issues.

Lots of fun stuff in store for 2015! But first, it’s time for a much needed vacation!

Seattle, here I come!

(Image from the Scripps College photo archives)

Cady Noland is a Bit of a Rebel

Art World News, Contemporary Women Artists

I just stumbled across an interesting article about Cady Noland in ArtNet which asks who is crazier: Noland or Richard Prince?

Since I am conducting my Senior thesis research on Richard Prince, anything with his name in the title immediately piques my interest. Prince is a notoriously strong personality and, if you ask me, kind of an asshole. Apparently Cady Noland is also incredibly intense and hard to work with. She rarely gives permission for her works to be shown and has gotten into legal issues with collectors over her refusal to remount pieces.

Once a work is sold, the artist really doesn’t have much control over when, where, and how it’s being shown. She no longer owns it. However, Noland’s work in particular is quite precarious and is entirely dependent on how it is assembled. It seems to be intended as something ephemeral which exists only in a single context. However, museums and private collectors are constantly trying to reshow the most famous works of her past. I understand how incredibly frustrating that might be for some artists. Your name will be attached to a work forever, even after you have no rights to control its display. Is it still Cady Noland’s art is she didn’t set it up or approve the positioning? Or is it just a bunch of empty beer cans? Where does the art happen?

The cynic in me must also question if this is just some part of her public persona, perpetuated to establish notoriety and mystery. Does it make the works more valuable? She seems entirely in conflict with the business side of the contemporary art world. Ironic for one of the top-selling female artists of her lifetime…

“It’s an interesting predicament, given that Noland is one of the top 10 most expensive female living artists, with her 1989 sculpture Oozewald holding the record for the highest price ever paid for an artwork by a female living artist at $6.6 million. In a way, her refusal to cooperate with the people who want to buy, sell, and display her work is the ultimate biting of the hand that feeds. Considering the current state of the art world, in which artists often complain of feeling like part of a meat market buffet, it’s a fascinating, if somewhat misguided, act of rebellion.”

I saw her work exhibited (without permission) at the Brant Foundation over winter break in Deliverance which also featured works from Prince, Christopher Wool, and Larry Clark. It is weird to look at an artist’s work while being acutely aware that they did not want it to be seen. It makes me kind of sad for her. I mean yes she seems really extreme and rather antisocial. But not having control over your own art would be supremely frustrating. Then again if she is making $6 million off a single piece, I can’t pity her too much…